By Professor Philip H Highfill Jr PhD, Professor Kalman A Burnim PhD, Edward A. Langhans
A huge venture all started in 1973 reaches its end with the e-book of volumes 15 and sixteen of the Biographical Dictionary, a sequence thought of "a reference paintings of the 1st order" by way of Theatre and acting Arts Collections.Among performers highlighted in those final volumes is Catherine Tofts, a proficient singer whose well known acclaim was once captured in traces through Samuel Phillips: "How are we pleas’d whilst beauteous Tofts appears, / To scouse borrow our Souls via our attentive Ears?’ / Ravish’d we take heed to th’ inchanting tune, / And seize the falling Accents from her Tongue." the 1st singer of English beginning to grasp the shape of Italian opera, Tofts often received major roles over local Italian singers. Her salary—?400 to ?500 a season—was one of many maximum within the theatre. Her acceptance declined, notwithstanding, as her calls for for money increased—a scenario captured in an epigram Alexander Pope could have penned: "So vivid is thy attractiveness, so captivating thy music, / As had drawn either the beasts and their Orpheus along; / yet such is thy avarice, and such is thy satisfaction, / That the beasts should have starved, and the poets have died."John Vanbrugh, whose play The Relapse is ranked as the most effective comedies of the recovery interval, turned a subordinate crown architect lower than Sir Christopher Wren in 1702. In 1703, Vanbrugh started plans for the Queen’s Theatre within the Haymarket, an firm counseled by way of the package Cat membership (of which Vanbrugh was once a member). even supposing his lavish layout used to be acoustically faulty, restructuring helped right the matter and the theatre finally turned the specific heart for opera in London.
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Additional info for A Biographical Dictionary of Actors, Volume 15, Tibbett to M. West: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800
A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 16601800. Includes bibliographical references. 1. Performing artsEnglandLondonBiographyDictionaries. 2. ActorsEng- landLondonBiographyDictionaries. 3. Theatrical managersEnglandLondon BiographyDictionaries. 4. London (England)BiographyDictionaries. I. , joint author. II. , joint author. III. Title. 2'092'2 [B] 71-157068 ISBN 0-8093-1802-4 Volume 15 Tibbett to M. West Page 1 T Tibbett.
Daily. Tidswell, Charlotte 17601846, actress. Charlotte Tidswell was born in 1760 and, according to the notebooks of W. J. Lawrence, performed at the Crow Street Theatre in Dublin as early as 176869. Kathleen Barker places her at Bristol, playing pages, in 1776. The first time Miss Tidswell was mentioned in a London playbill was on 24 January 1783, when she played Scentwell in The Busy Body at Drury Lane Theatre. She went on that season to act Leonora in The Mourning Bride, Miss Flack in A Trip to Scotland, Isabella in The Revenge, Jenny in The Tender Husband, a Beggar in The Ladies' Frolick, a Chambermaid in The Clandestine Marriage, Lucy in The Adventures of a Night, and a Chambermaid in Imitation.
He was advertised as "late first dancer of the Opera" (in London) on the Smock Alley Theatre's bill of 19 October 1757. W. S. Clark's manuscript records show him at the Crow Street Theatre in 175960. By the fall of 1760 he was again in London. David Garrick wrote to Joseph Austin, his assistant prompter, on Sunday, 12 October 1760, urging him to make a substitution in the planned playbill at Drury Lane on the following Tuesday. "I have thought of something better than ye beggar's Opera. let it be ye Careless Husband wth Dancing by Signr Tioli.
A Biographical Dictionary of Actors, Volume 15, Tibbett to M. West: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800 by Professor Philip H Highfill Jr PhD, Professor Kalman A Burnim PhD, Edward A. Langhans